BAZAART

Things that matter most; Art, Music, and Shade

Attack on the proverbial blipster

gumasaat:


Senam OkudzetoAll Facts Have Been Changed to Protect the Ignorant, 2001-2006
acrylic ink on silver wash rice, 26 x 20 cm
source

gumasaat:

Senam Okudzeto
All Facts Have Been Changed to Protect the Ignorant, 2001-2006

acrylic ink on silver wash rice, 26 x 20 cm

source

(Source: gumaasaat, via mangoestho)

(Source: Spotify)

2headedsnake:

Can Pekdemir

2headedsnake:

Can Pekdemir

(Source: behance.net, via blackkween)

Six Degree Separation: Vivica A. Fox Preview from William Marcellus on Vimeo.

hoboqunt:

Six Degrees Separation: Vivica A. Fox Preview

likeafieldmouse:

Miguel Laino - Mazda (2012)
theories-of:

Reid Ramirez
Boomin’ Words from Hell
2012
1989 Pontiac Sunbird car door, spray paint, organic navel orange, and bolts
37” x 21” x 25”
(Keith J. Varadi’s Image Resolution #19)

theories-of:

Reid Ramirez

Boomin’ Words from Hell
2012
1989 Pontiac Sunbird car door, spray paint, organic navel orange, and bolts

37” x 21” x 25”

(Keith J. Varadi’s Image Resolution #19)

mister-nobody:

Embrace :: Emily Jacir (2005)

mister-nobody:

Embrace :: Emily Jacir (2005)

(via humancomputer)

ejhill:

in light of Sierra Mannie’s op-ed that has some white gay men feeling some type of way: detail of Glenn Ligon’s, Notes on the Margin of the Black Book, 1991-1993 #GlennLigon #JamesBaldwin #clapback (at Hammer Museum)

ejhill:

in light of Sierra Mannie’s op-ed that has some white gay men feeling some type of way: detail of Glenn Ligon’s, Notes on the Margin of the Black Book, 1991-1993 #GlennLigon #JamesBaldwin #clapback (at Hammer Museum)

(via blackingzz)

sculpture-center:

FROM THE ARCHIVES: Rashid Johnson, Smoke and Mirrors.
At SculptureCenter in 2009, for his first solo museum show in New York, Rashid Johnson presented a number of large-scale sculptural works that suggest altars, entertainment consoles, or constructivist-like abstractions alongside photographs and works in other media. Johnson engages with racial identity but in ways that insist on fluidity and contradiction. Johnson uses materials such as steel, poured wax, and shea butter, while juxtaposing relics and artifacts in an approach that flirts with the shamanistic.

Installation view of Smoke and Mirrors, SculptureCenter, 2009. Courtesy the artist. Photo: Jason Mandella.
http://sculpture-center.org

sculpture-center:

FROM THE ARCHIVES: Rashid Johnson, Smoke and Mirrors.

At SculptureCenter in 2009, for his first solo museum show in New York, Rashid Johnson presented a number of large-scale sculptural works that suggest altars, entertainment consoles, or constructivist-like abstractions alongside photographs and works in other media. Johnson engages with racial identity but in ways that insist on fluidity and contradiction. Johnson uses materials such as steel, poured wax, and shea butter, while juxtaposing relics and artifacts in an approach that flirts with the shamanistic.

Installation view of Smoke and Mirrors, SculptureCenter, 2009. Courtesy the artist. Photo: Jason Mandella.

http://sculpture-center.org

(via blackingzz)

dear-white-people:

YOU DEMANDED IT! Check out the full-length official trailer for Dear White People before it hits theaters this weekend. 

#HITSHARE #TURNUP #BELIEVETHEHYPE

(via worstresponse)

(Source: rxmcri, via blackkween)

Painter painting in our land pictures of only white angels
Painter painting in our time in shadows of yesterday

Painter, if you paint with love, paint me some black angels now
For all good blacks in heaven, painter show us that you care

Eartha Kitt - Angelitos Negros (1970 performance)

(Source: foxwin, via mangoestho)

fuckyeahhardfemme:

thatonesuheirhammad:

El Barrio Bodega (series), 2013, embroidered plastic bags. Nicoletta Daríta de la Brown.

Hard femme goals

(via mekhismind)